The story that changed the world.
Experience the epic emotion, soaring music and breathtaking dance of the “massive new stage show” (Time Out) from multi Grammy® and Academy Award®-winner Stephen Schwartz (Wicked, Godspell).
Journey through the wonders of Ancient Egypt as two young men, raised together as brothers in a kingdom of privilege, find themselves suddenly divided by a secret past. One must rule as Pharaoh, the other must rise up and free his true people; both face a destiny that will change history forever.
With a huge cast and orchestra of almost 60 artists, this “truly phenomenal production” (BBC London) is based on the classic DreamWorks Animation film and features the international best-selling, Academy Award®-winning song When You Believe.
Please note that flashing lights (photosensitivity), haze, smoke, pyrotechnics, live flame and the portrayal of violence are featured on stage; loud sound effects can be heard throughout the auditorium and performers move through the auditorium Stalls.
The Prince of Egypt is based on the award-winning 1998 DreamWorks Animation film which captivated audiences across the world and celebrated its 20th anniversary in 2018. Acclaimed as “one of the greatest animated films of all time” (Evening Standard) and “a brilliant film” (The Guardian), it remains one of the most beloved animated feature films of all time.
DreamWorks Animation is recognised across the globe as a leader in quality family entertainment thanks to films including ‘Skrek’; ‘How To Train Your Dragon’; ‘Trolls’; ‘Kung-Fu Panda’; ‘Madagascar’ and ‘The Boss Baby’ and the television series ‘Trollhunters’; ‘Sprit Riding Free’ and ‘All Hail King Julien’.
Featuring a huge company of almost 60 artists, The Prince of Egypt is one of the biggest musicals ever staged. Live fire effects, illusions, pyrotechnics and performer flying, together with state-of-the-art projections, video and sound designs, are all utilised to deliver the theatrical spectacle.
Delivering each performance of The Prince of Egypt involves more than 100 people backstage, including Stage Managers, automation operators, crew, dressers, costume and wig supervisors.
More than 50 makers, milliners and sewers were involved in producing over 1000 individual costumes, headdresses, items of jewellery, pairs of shoes and wigs.
As well as multiple contemporary instruments, The Prince of Egypt orchestra features nine ancient Middle Eastern instruments with origins dating back thousands of years, including a Bouzouki, Doumbek and Oud.
The Prince of Egypt features music and lyrics by Stephen Schwartz (‘Wicked’, ‘Godspell’, ‘Pippin’) and a book by Philip LaZebnik (‘Mulan’, ‘Pocahontas’). They collaborated on the film of The Prince of Egypt.
The Prince of Egypt features 5 of Stephen Schwartz’s acclaimed songs from the DreamWorks Animation film (‘Deliver Us’, ‘All I Ever Wanted’, ‘Through Heaven’s Eyes’, ‘The Plagues’ and ‘When You Believe’) together with 10 brand new songs.
The Academy Award®-winning ‘When You Believe’ was recorded by Whitney Houston and Mariah Carey in 1998, becoming a global hit. In 2007, the song was also chosen by Simon Cowell as the winner’s single for The X-Factor, spending three weeks at the top of the UK and Ireland charts.
The acclaimed original cast recording of The Prince of Egypt, released by Ghostlight Records and available on CD, digital and streaming formats, received a 2021 Grammy® Award nomination for ‘Best Musical Theatre Album’.
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“What a spectacle!
A musical full of miracles, the show won high praise when it opened.”
Nicole Lampert, Daily Mail
“The DreamWorks classic is brought
to life in truly epic fashion.
The show boasts a cast and orchestra of nearly 60, and from the opening strains of ‘Deliver Us’
you are hit with a wall of sound and vision rarely felt in stage productions.
The choreography from Sean Cheesman is nothing short of superb.
In a time of scaled-back productions and intimate, internalised battles, 'The Prince Of Egypt'
took a risk and went big, in both size and story - and it's a risk that paid off.”
Stacey Williams, Mirror Online
“This ‘Prince’ is the new king of musicals.
An event to dazzle, musical theatre doesn’t come bigger than this.”
Stefan Kyriazis, Sunday Express
“With top tunes, including ‘When You Believe’ and ‘Deliver Us’,
theatrical pyrotechnics and a heart-racing chariot race,
this grand spectacle is a crowd-pleaser.”
Deirdre O’Brien, Sunday Mirror
“Moses whips up a storm!
Bursting with glitzy razzmatazz, I was pinned to my seat.”
Patrick Marmion, Daily Mail
“Incredible songs, wonderful staging and
the ultimate tale of hope, courage and love.
'The Prince Of Egypt' is absolutely epic.”
Emma B, Magic
“You're unlikely to find a more
pitch-perfect cast in the West End.
The near-score-large orchestra sounds awe-inspiring.”
Alex Wood, WhatsOnStage
“Packed with action, thrills, chills
and beautifully stirring songs.
Enthralling and dynamic, prepare to be dazzled.”
Danny Pietroni, Smooth
“A truly phenomenal production.
Packed with fabulous imagery.”
Jim Davies, BBC London
“A stunningly told story, amazing dance and instantly memorable songs.
‘The Prince Of Egypt’ is an epic night out.”
Jamie Crick, Scala Radio
“An epic of biblical proportions.
This spectacular show has delivered something special to the West End.”
“If you want
explosive dancing, great costumes, stunning special effects and faultless voices,
then ‘The Prince of Egypt’ is where you want to be.”
Jeremy Chapman, Musical Theatre Review
“‘The Prince of Egypt’ has a massively current message: it's a story of a struggle against out-of-touch rulers, amid floods, disease and natural disasters. In its best moments, it has the rousing power of ‘Les Misérables’
The music is miraculous.”
Alice Saville, Time Out
“Go and see this incredible show!
Audiences are absolutely loving 'The Prince Of Egypt' and
giving it massive standing ovations every night.”
Steve Allen, LBC
“With huge musical numbers, amazing special effects and fantastic choreography,
epic is the word for this all-singing,
all-dancing stage version of the 1998 movie.”
“The production values alone are worth the price of a ticket.
An amazing production and one not to miss.”
Tim Baros, The Gay UK
“Audiences are absolutely loving this big,
Broadway-style musical and are on their feet cheering at the end.
The performances are astounding.”
Stu Black, London Live News
“An absolutely spectacular production with the most wonderfully cinematic orchestrations.
The production values are amazing.”
Elaine Paige, BBC Radio 2
It’s the extraordinary vision of director Scott Schwartz and his team, combined with the sheer high energy and talent of the cast, that lifts this epic out of the ordinary.”
Judi Herman, Jewish Renaissance
“An epic spectacular.
You walk away having witnessed something hugely enjoyable.”
Paul Heath, The Hollywood News
“A dazzling West End spectacle.
One of the most visually engaging and imaginative shows I’ve seen. It’s hard not to get swept up in the magic.”
Daniel Megarry, Gay Times
Meet the Company
Theatre includes: ‘Feste’ in Twelfth Night, ‘Bassanio’ in The Merchant Of Venice, ‘Lucentio’ in The Taming Of The Shrew (all at Shakespeare’s Globe); ‘Miller's Son’ in St George And The Dragon (National Theatre); ‘Anthony’ in Sweeney Todd (Adelphi Theatre and Chichester Festival Theatre); ‘Jesus’ in Vernon God Little (Young Vic); ‘Matt’ in The Fantasticks (Duchess Theatre) and ‘Joey’ in Tarantula In Petrol Blue (Aldeburgh Music).
Television includes: ‘Adam’ in Fresh Meat (Channel 4).
Film includes: Murder on The Orient Express, Twentieth Century Fox, directed by Kenneth Branagh.
Recordings include: 2012 London Cast Recording of Sweeney Todd.
Other work includes: Founding partner of the music group ‘Pieces to the Puzzle’.
Luke would like to send his love to his family and friends and give a special mention to Cosmo Jackson and Hurtwood House, whose support helped him live a dream.
Training: Laine Theatre Arts.
Theatre includes: Giuseppe Naccarelli in The Light in the Piazza (Royal Festival Hall/the Dorothy Chandler Pavilion, Los Angeles); Lin Manuel Miranda in Spamilton (Menier Chocolate Factory); Freddy Rodriquez in Working The Musical (Southwark Playhouse); Frank-N-Furter in The Rocky Horror Show (UK tour); Raoul in The Phantom of the Opera (Her Majesty’s Theatre); Enjolras in
Les Misérables (Queen’s Theatre); Jordan Jones in Departure Lounge The Musical (Waterloo East Theatre); Hair (Gielgud Theatre); Link Larkin in Hairspray (Shaftesbury Theatre) and Wicked (Apollo Victoria Theatre).
Recordings include: Working The Musical; Departure Lounge; The Music Box; Self-Taught; Still Learning (the Music of Chris Passey) and The In-Between. Liam is currently working on his own album.
Other work includes: Holly Martins in The Third Man workshop; Electra in Starlight Express workshop; Ralph Rackstraw in HMS Pinafore workshop and Love Never Dies workshop.
Liam would like to take this opportunity to thank his parents, family and friends, his fantastic teachers, his husband and their bulldogs, Daphne and Godfrey. Liam would also like to extend a special thank you to Stephen Schwartz for believing in him.
Theatre includes: ‘Peggy Schuyler’ and ‘Maria Reynolds’ in Hamilton (Victoria Palace Theatre); ‘Vanessa’ in In The Heights (Kings Cross Theatre); ‘Dovee’ in Here Lies Love (National Theatre); ‘Ursula’ in Sweet Charity (Royal Exchange); 'Turandot' in Turandot (Regent Theatre); 'Minerva’ in From Here To Eternity (Shaftesbury Theatre); 'Girlie' in Beyond The Fence (Arts Theatre) and 'Aggie Hurley' in A Catered Affair (Jack Lyons Theatre).
Television includes: Rhyme Time Town (Dreamworks Animation, Netflix); 'Jasmine' in Royal Hearts (Hallmark) and 'Maria' in West Side Stories – The Making of a Classic (BBC/Reef TV).
Recordings include: The Clockmakers Daughter (Auburn Jam Records and David Ball Productions).
Other work: Royal Variety Performance (ITV, London Palladium); Andrea Bocelli Cinema and Si arena tours (Europe and Asia); concerts at the Royal Opera House, Royal Albert Hall and Cadogan Hall.
Theatre: ‘Laura’ in The Distance You Have Come (Cockpit Theatre); ‘Rita Marley’ in One Love (Birmingham Rep); ‘Princess Tahlia’ in Sleeping Beauty (Hackney Empire); ‘Nabalungi’ in The Book of Mormon (Prince of Wales); ‘Alice’ in Dick Whittington (Hackney Empire); ‘Eponine’ in Les Misérables (Queen’s Theatre); ‘Deb’ in Ordinary Days (Trafalgar Studios); ‘Harmonia’ in Welcome to Thebes (National Theatre); ‘Elphaba’ in Wicked (Apollo Victoria Theatre); ‘Nala’ in The Lion King (Lyceum Theatre); ‘Candy’ in Whistle Down the Wind (UK Tour); ‘Ronnie Spector’ in Leader of the Pack (UK Tour) and Cinderella (Hackney Empire).
TV & Film: Alabama; Rocketman; Wanderlust; London Road; Splatalot; Les Misérables; Comin’ Atcha; The Queen’s Nose; The Bill; Grange Hill; MacGyver; Class Action; The Sculptress; Dream Team and Separate Truths.
Voice over: ‘Sardonyx’ in Steven Universe (Cartoon Network).
Recordings: Amazing Grace and Pride film soundtracks.
I’m humbled and grateful to be a part of this wonderful production. A big, huge thank you to my mum who has always been my rock and believed in me. A special thank you to Darren Rugg and everyone at AHA Talent for your constant support and faith in me.
Associate Artist, Royal Shakespeare Company.
Theatre includes: Imperium 1 & II; The Tempest; The Orphan of Zhao; Boris Godunov; Troilus and Cressida (Wooster Group co-production); A Midsummer Night’s Dream; Love’s Labour’s Lost; Titus Andronicus; The Malcontent; The Island Princess; The Roman Acto; The Comedy of Errors (all RSC); The Real Inspector Hound/The Critic (Chichester Festival Theatre); Uncle Vanya (St James); Our Ajax (Southwark Playhouse); Roller Diner (Soho Theatre); Cruel and Tender (Young Vic, Bouffe Du Nord); As You Like It (Cheek by Jowl, world tour); The Duchess of Malfi (Greenwich/Wyndham’s); Romeo & Juliet (ESC); The Winter’s Tale (National Theatre); The Bacchae (Southbank Centre); Women Beware Women (Royal Court) and Our Country’s Good (Gate, Dublin).
TV includes: A.D. Kingdom and Empire (NBC); Atlantis (BBC); Lewis (ITV); Vera (ITV); Sirens (Channel 4); 32 Brinkburn Street (BBC); Criminal Justice (BBC); Silent Witness (BBC); Doctor Who (BBC); When I’m Sixty-Four (BBC); The Stretford Wives (BBC); An Unsuitable Job for a Woman (ITV); Tiger Bay (BBC) and Holding On (BBC).
Film includes: The Cold Light of Day; 14 Days with Victor; The Mummy Returns; Rise of the Footsoldier and The Changeling
Theatre includes: Blues in the Night (Kiln); Sweet Charity (Donmar Warehouse); Girl From The North Country (The Old Vic/Noël Coward); The Threepenny Opera (NT); Anything Goes (Sheffield/UK Tour); The Bodyguard - Olivier Award nomination, ‘Best Performance in a Supporting Role in a Musical’ (Adelphi); Chicago (Cambridge/Adelphi); Sister Act (London Palladium); Oliver! (Cyprus); I Love You Because (Landor); East (Leicester Curve); West Side Story (Prince of Wales); Tonight’s The Night (Victoria Palace); Rent (Prince of Wales/UK Tour); Fame (UK Tour); Guys And Dolls (Sheffield); Pal Joey (Chichester); Poison (Tricycle); Boogie Nights (Savoy).
Television includes: The Two Wolves; West Side Stories – The Making of a Classic.
Film includes: Hollow.
Recordings include: Girl From the North Country; Sister Act; Chess in Concert; You Are Home, (Anderson and Petty); Tonight’s the Night.
Other work includes: Best of the Rock Musicals (Eventim Apollo); King (Hackney Empire); The World Goes Round (The Other Palace); Rhythm of Life (St. James Theatre); Chess in Concert (Royal Albert Hall) Les Misérables and Jesus Christ Superstar in concert (Jersey).
Training: Performing Arts School (Gothenburg); Lasse Kühler Dance School (Stockholm), Junior Academy of Music (Stockholm).
Theatre includes: ’Esmeralda’ in Disney’s The Hunchback of Notre Dame (Stage Apollo Theater, Stuttgart, Germany); ‘Indigo’ and ‘Gina’ cover in Cirque du Soleil’s Paramour (Stage Theater Neue Flora, Hamburg, Germany); ’Maria’ in West Side Story (Schlossfestspiele Schwerin/ Mecklenburgisches Staatstheater, Schwerin, Germany); chosen by Björn Ulvaeus (ABBA) to originate the role of ‘Konstantina’ in Mamma Mia! The Party (Tyrol, Stockholm, Sweden); ‘Christine’ u/s and played in The Phantom of the Opera (Theater MDM, Moscow, Russia); ’Eponine’ in Les Misérables (Aarhus Theater, Aarhus, Denmark); The Little Mermaid (Theater Russia, Moscow, Russia); ‘Sarah’ in Dance of the Vampires (Stage Theater des Westens, Berlin and Theater St. Gallen, Switzerland).
Film includes: ‘Young Sabina’ in the documentary film Ich hieß Sabina Spielerin.
Other work includes: Swedish dubb ‘Cassandra’ in Disney’s Tangled: The Series (SDI Media Sweden).
Mercedesz is grateful to be part of such a wonderful production and would like to thank her mother for all her support and for always believing in her.
Training: Guildford School of Acting (1st Class BA Hons) and The National Youth Music Theatre.
Theatre: ‘Augustin Magaldi’, Evita (Regents Park); ‘Viktor’ original cast of Local Hero (Lyceum, Edinburgh); ‘Max Von Mayerling’, Sunset Boulevard (UK and European Tour); Les Misérables, understudy/played ‘Javert’ and ‘Thenardier’ (Queen's); ‘Officer Barrel’ original UK cast Urinetown (Other Palace); ‘Octavious Crabbe’ in the original Cast of The Light Princess (National); understudy ‘Judge Turpin’, Sweeney Todd (Adelphi & Chichester); ‘Squelch’ original cast of Love Never Dies (Adelphi;) original cast of Knights Of The Rose (Arts); Joseph and the Amazing Technicolor Dreamcoat (Adelphi); Alice in Wonderland (West Yorkshire Playhouse); Evita (Adelphi).
Film: The Current War and Les Misérables.
Recordings: The Light Princess; Les Misérables (film Soundtrack); Love Never Dies; Sweeney Todd; Evita and Tale of Two Cities.
Originally from Portsmouth, Adam would like to thank his wife and family for their constant love and support. He cannot wait for his son Henry to visit the West End for the first time to watch his Dad perform.
Theatre includes: Little Shop of Horrors (Storyhouse); Making Porn (Above the Stag); Caroline, or Change (Playhouse Theatre); Big Fish (The Other Palace); One Love – The Bob Marley Musical (Birmingham Rep); Beautiful - The Carol King Musical (Aldwych Theatre); Hairspray (Bronowski Productions/ Macau); Seussical (Selladoor); Thriller Live (West End, UK & European Tour).
Television includes: Old Spice: She Nose Best; Smart Energy UK (Somesuch); Baileys: Pour Spectacular; Top of the Pops; League of Their Own (choreographer).
Film includes: Once an Old Lady... (Genesis Child Films); Dancing Queen (Left Eye Blind - choreographer).
Other work includes: Lights EP - Kitchen Party (Island Records); Bat Out Of Hell (promotional tour).
Training: Rose Bruford College.
Theatre includes: Twelfth Night (Young Vic); As You Like It (Regent’s Park Open Air Theatre); Much Ado About Nothing (Rose Theatre, Kingston); Dr Seuss’ The Lorax (The Old Vic Theatre and Royal Alexandra Theatre, Toronto); Forty Years On (Chichester Festival Theatre); The Emperor and the Nightingale (Theatre by the Lake, Keswick); The Go-Between (Apollo Theatre, West End); Sunny Afternoon (Harold Pinter Theatre, West End) and Jack and the Beanstalk (Key Theatre, Peterborough).
Film includes: Benjamin (Open Palm Films).
Ensemble, u/s Nefertari, Miriam
Training: Mountview Academy of Theatre Arts.
Theatre whilst training includes: ‘Hattie’ in Kiss Me, Kate; ‘Marian Anderson’ in First Lady Suite; ‘Celeste’ in Sunday in the Park with George; ‘Celia’ in As You Like It; ‘Rose’ in Dancing At Lughnasa and ‘Laurey’ in Oklahoma!.
Theatre includes: The Light in the Piazza (Royal Festival Hall and LA Opera); ‘Lula Buffington’ and ‘Almeta’ in Violet (Charing Cross Theatre); Putting It Together (Hope Mill Theatre); ‘Marta’ in Company (Aberdeen Arts Centre); ‘Tzeitel’ in Fiddler on the Roof (Chichester Festival Theatre); ‘Clara Brown’ in Ghost (UK Tour) and Show Boat (Gillian Lynne Theatre).
Other work includes: ‘The Boss’ in Heel; ensemble in Sing Street; Repertory Company in From Page to Stage; ‘Wurca’ in Qu4rter; ‘Nadia’ in F**ked in Marrakech and ‘Mamie Till’ in Rosa.
Ensemble, u/s Nefertari, Tzipporah
Theatre whilst training includes: Once on this Island and Newsies.
Theatre: Joseph and the Amazing Technicolor Dreamcoat (London Palladium).
Television includes: On The Town (BBC Proms); West Side Story (BBC Proms); Olivier Awards (ITV).
After making her professional debut at the London Palladium, Casey is thrilled to be joining the original London cast of The Prince Of Egypt.
Training: Doreen Bird College, achieving a Diploma in Professional Musical Theatre and Dance.
Theatre includes: Ensemble in 9 To 5 The Musical (UK & Ireland Tour); Swing and u/s ‘Michael Wormwood’ in Matilda (UK & Ireland Tour); Swing, Ensemble and Assistant Dance Captain in Wicked (UK & Ireland Tour and International Tour); ‘Tumblebrutus’ in Cats (Oasis of the Seas) and Ensemble in Jack and The Beanstalk (Horsham).
Television includes: Take That, Royal Variety Performance and Tonight at the London Palladium (ITV).
Other work includes: Just Eat (Commercial).
Ensemble, u/s Aaron, Moses.
Training: ArtsEd and The BRIT School.
Theatre includes: ‘Don Lockwood’ in Singin’ In The Rain (Gaiety Theatre); u/s ‘Fabrizio’ in The Light In The Piazza (Royal Festival Hall and LA Opera); u/s and played ‘Aladdin’ in Disney’s Aladdin (Prince Edward Theatre); Follies (Royal Albert Hall); The Who’s Tommy (Greenwich Theatre); The Little Mermaid (UK Tour); ‘Niki’ in Out Of This World (Rose & Crown); The Twelve Tenors (Asian Tour & Monte-Carlo); ‘Prince Charming’ in Cinderella (Arts Centre); Snow White & The Seven Dwarfs (Devonshire Park Theatre) and u/s ‘Stepsister’; ‘Prince’ and ‘Baron’ in Cinderella (Assembly Hall Theatre).
Television includes: Humans (Channel 4).
Film includes: Rocketman and The Theory of Everything.
Other work includes: Lead Vocalist for Aida Cruises; Soloist on BBC Radio 2’s Friday Night Is Music Night (Mermaid Theatre).
Ensemble, u/s Ramses
Training: Laine Theatre Arts.
Theatre includes: Evita (Regent’s Park Open Air Theatre); Guys and Dolls (Mill at Sonning); Legally Blonde (UK Tour); Mamma Mia! (Novello Theatre); Peter Pan (Wimbledon Theatre) and Snow White (Yvonne Arnaud Theatre).
Television includes: The Liberator (Netflix).
Film includes: Bohemian Rhapsody (GK Films).
Training: Urdang Academy.
Theatre whilst training includes: ‘Kate’ in Bad Girls (Laura Checkley) and ‘Roxy’ in Chicago (Regan Shepherd).
Theatre includes: Ensemble in Disney’s Aladdin (West End); dancer in Classically British (Mark Elie); ‘Bond Girl’ in Live and Let Hedge (choreography Will Peacon); dancer in The Royal Albert Hall Schools Gala and ‘Little Mouse’ and ‘Party Girl’ in The Nutcracker (English National Ballet, Wayne Eagling).
Television includes: ‘Mini Chef’ and model on This Morning, ITV.
Film includes: Aladdin The Musical (Walt Disney Pictures).
Pàje is excited to be performing in The Prince of Egypt and hopes that everyone enjoys the show.
Ensemble, u/s Moses, Ramses
Theatre whilst training: ‘Bobby’ and Ensemble in Cabaret and ‘Alberto Beddini’ in Top Hat.
Theatre includes: Swing and cover ‘Grantaire’ in Les Misérables (Queens Theatre) and ‘Menino’ in Out of Water, a Brazilian Musical.
Ensemble, u/s Tuya, Yocheved.
Training: London School of Musical Theatre.
Theatre includes: ‘Mother’ in Broken Wings (Beit Eddine Festival in Beirut; Lebanon and Theatre Royal Haymarket); Guest Vocalist in Wonderful Town with the London Symphony Orchestra (Barbican); ‘Elena’ in Tiger Bay (Wales Millennium Centre); ‘Lady of the Lake’ in Spamalot (English Theatre; Frankfurt); Guest Vocalist for Russell Watson (UK Tour); ‘Renee’ and u/s ‘Muriel’ in Dirty Rotten Scoundrels (UK Tour); Featured Vocalist for Michael Ball: Both Sides Now (UK; UAE and DVD); ‘Rhoda’ in White Christmas (Pitlochry Festival Theatre); ‘Helvetia Burelli’ in The Rat Pack: Live From Vegas (Wyndham's Theatre) and ‘Magdalena’ in Bernarda Alba (Union).
Other work includes: Vocalist for the feature films Dumbo; Mary Poppins Returns; Mission: Impossible - Fallout; Justice League; Pirates of the Caribbean and Twilight.
Swing, u/s Tuya, Yocheved.
Theatre includes: Hair (50th Anniversary UK Tour); 21 Chump Street (The Courtyard Theatre); Hair (Hope Mill Theatre & The Vaults); Wicked (UK & Ireland Tour); Parade (Southwark Playhouse); The Fix (Union Theatre); Seussical the Musical (Selladoor/Arts Theatre); Spring Awakening (UK Tour); Godspell (Union Theatre) and Grease! (European Tour).
Other work includes: Eliza and the Bear (recording backing vocalist) and Lead Vocalist on Royal Caribbean Cruise.
Natalie is thrilled to be joining the original cast of The Prince Of Egypt and would like to give a massive thank you to her Mum, Dad and brother for all their continued support.
Ensemble, u/s Aaron
Theatre includes: Ensemble and cover 'George' in The Wedding Singer (South Korea); ‘Chistery’ and cover ‘Boq’ in Wicked (UK & Ireland Tour); ‘Gremio’ in Kiss Me; Kate (Théâtre Du Châtelet; Paris and Grand Théâtre; Luxembourg); ‘Warner’ in Legally Blonde (Daegu Opera House; South Korea); cover ‘Emmett’ in Legally Blonde (Leicester Curve) and Miss Saigon (Prince Edward Theatre).
Television includes: Galavant (Season 2; ABC Studios); Murder in Mind (BBC1) and Sky Interactive (Sky); The Olivier Awards 2015 and the Royal Variety Performance 2014 (ITV).
Film includes: Mary Poppins Returns (Disney) and Miss Saigon 25th Anniversary (Universal Pictures).
Other works include: Miss Saigon: The Definitive Live Recording (Original Cast Recording); The Heat Is Back On: The Remaking of Miss Saigon (DVD Documentary).
Jack dedicates his performance to the memory of Daniel Bolton.
Swing, Dance Captain
Training: The Australian Conservatoire of Ballet; The McDonald College of Performing Arts, Sydney.
Theatre includes: Ensemble in The Witches of Eastwick (Sweden); Dance Captain and Ensemble in On The Town (Scandinavian premiere; Sweden); Ensemble/dancer in The Prince Of Egypt (Denmark); Dance Captain and Ensemble in Elf: The Musical (Denmark); Swing in Chicago (Denmark); ‘Reno’s Angel: Purity’ in Anything Goes (Denmark) and Ensemble in Beauty and the Beast (Denmark).
Rachael is thrilled to make her West End debut. She sends endless love and thanks to her family, friends and mentors for their continued support.
Training: Conteur Academy, Toronto, Canada – Contemporary Dance Graduate (2014).
Theatre includes: Swing in Bat Out of Hell (2017-2018); ‘Little Jules’ in How to Solve a Problem Like Murder (UnCorked Theatre, 2017); The Suffocating Truth (Untitled Dance Company, UK Tour, 2017); Eve of St. George (TranscenDance Company, Toronto, 2015) and The Waiting Room: In Defense of Being (Helix Dance Project, Toronto, 2015).
Film includes: Everybody's Talking About Jamie (dancer, 2019) and Cats (chorus, 2019).
Kalene is thrilled to be part of the outstanding cast of The Prince Of Egypt and would like to thank her family, friends and mentors for their unwavering support.
Training: Addict Dance Academy and Dupont Dance Stage School, Leicester.
Theatre includes: Matthew Bourne’s Romeo and Juliet (world premiere UK Tour, original cast); Ensemble and u/s ‘King’ in Jack & The Beanstalk (White Rock Theatre); Work Me Down; Epiphany; Sing Sing Sing (Addict Dance Academy Touring Companies); Ensemble in Evita (UK Tour) and choir singer in Joseph and the Amazing Technicolor Dreamcoat (UK Tour).
TV includes: CBBC’s Taking the Next Step (Finalist 2017); Romeo and Juliet (world premiere original cast trailer).
Christian is delighted to be part of the original West End cast of The Prince Of Egypt and would like to say a special thank you to Rebecca, Oscar, Gareth and his family for all their support.
Training: ArtsEd with a BA (Hons) Degree in Musical Theatre; 2018.
Theatre whilst training includes: ‘Cynthia’ in Priscilla Queen of the Desert and ‘Mary’ in Bullets Over Broadway.
Theatre includes: Les Misérables (Queen’s Theatre); Evita (Regent’s Park Open Air Theatre).
Workshops: Billionaire Boy (directed by Luke Sheppard), The Boy In The Dress (directed by Gregory Doran)
Television credits include: Comic Relief (BBC).
Other work includes: Disney’s Broadway Hits (Royal Albert Hall); Olivier Awards (Royal Albert Hall).
Ensemble, u/s Jethro, Hotep
Training: BFA Musical Theatre, University of the Arts; MA Music Theatre, Royal Central School of Speech and Drama.
Theatre includes: Disney’s Aladdin (Prince Edward’s Theatre); Beautiful – The Carole King Musical (Aldwych Theatre); Porgy & Bess (Regent’s Park Open Air Theatre); The Book of Mormon (Prince of Wales); The Lion King (Lyceum); Walk in the Light (National Theatre); A Perfect Ganesh; Ferdinand the Bull; Caroline, or Change (Arden Theatre); Nerds: a Computer Software Satire (Philadelphia Theatre Company); Einstein’s Dreams (NYC MT Festival); Eugene Onegin and Romeo and Juliet (Opéra de Baugé).
Other work includes: Magic of Disney (Hyde Park) and Beauty and the Beast (Leicester Square).
Oliver is part of the musical theatre writing team Kansley & Lidert, who have premiered new musicals in London and Melbourne.
Ensemble, u/s Seti, Jethro
Training: Rose Bruford.
Theatre includes: ‘Flick’ in Violet (Charing Cross Theatre); ‘Gregory’ in Bubbly Black Girl With Chameleon Skin (Theatre Royal Stratford East); ‘Jake’ in Side Show (Southwark Playhouse); ‘Piven’ in Sunny Afternoon (Harold Pinter Theatre); ‘Sammy Davis Jr in The Rat Pack (London Palladium & International Tour); Reflection Day (Theatre 503); Porgy And Bess (Regent’s Park Open Air Theatre); ‘Jimmie' in A Taste Of Honey (Greenwich Theatre); Miss Saigon (UK Tour); Fences (Duchess Theatre); Christmas With The Rat Pack (Wyndham Theatre); Desert Boy (Birmingham Rep); Elegies For Angels, Punks and Raging Queens (Shaw Theatre); Effigies Of Wickedness (Gate Theatre) and Cherry Picking Cotton (Albany Theatre).
Television includes: Brother’s With No Game.
Film Includes: Soft Lad.
Jay would like to thank his agent, James Foster, family, friends and Kamara Bacchus for her love and support.
Ensemble, u/s Hotep, Seti
Theatre includes: u/s ‘Young Horseman’; ‘Nugget’; ‘Trojan’ and ‘Nurse’ in Equus (Trafalgar Studios); ‘Subway Ghost’ in Ghost The Musical (Asia Tour); ‘Mufasa’ in Disney’s The Lion King (Australian Tour & West End); ‘Subway Ghost’ in Ghost The Musical (West End); ‘Hud’ in Hair (European Tour); Vocalist in Thriller Live (West End); ‘Tyrone’ in Fame The Musical (UK Tour) and ‘Harry Alternate’ and u/s ‘Leading Male’ in Never Forget (West End).
Training: Laine Theatre Arts.
Theatre includes: Grease! (Grand Theatre, Leeds); Dance Captain on Saturday Night Fever (UK Tour); ‘Jemima’ and cover ‘Victoria’ in Cats (International Tour); Dance Captain and u/s ‘Lisa’ and ‘Penny’ in Dirty Dancing (UK Tour) and Ich War Noch Niemals in New York (Stage Entertainment, Germany).
Ensemble, u/s Ramses
Training: Royal Academy of Music, where he was awarded an inaugural Disney Theatrical Productions Scholarship. Sam also studied Law at the University of Cambridge and is a qualified solicitor.
Theatre includes: ‘Mutumbo’ and u/s ‘The General’ in The Book of Mormon (Prince of Wales Theatre); Swing and u/s ‘Burr’, ‘Lafayette/Jefferson’ and ‘Mulligan/Madison’ in Hamilton (Original West End Cast, Victoria Palace Theatre).
Film includes: Surrounded (short).
Workshops include: NT Musical Theatre Writing Workshop (National Theatre).
Training: Laine Theatre Arts. First-Class Degree (BA Hons) in Musical Theatre and a Diploma (Distinction) in Professional Dance.
Theatre whilst training includes: Ensemble and u/s ‘Maid Marion’ in Robin Hood (Qdos); dancer in Time Flies: A Royal Gala Celebration; dancer/singer – The Feast of St. George (Trafalgar Square); dancer/singer in The Magnificent Music Hall Show; dancer/singer in Jack and the Beanstalk Giant 3D Spectacular; ‘Carol Strong’ in Catch Me If You Can (LTA Studio Theatre) and ‘Tina’ in Sister Act (LTA Studio Theatre).
Alice is delighted to be making her professional and West End debut in this original cast. This is a dream role and she would like to thank her family and friends for all their support.
Training: Mountview Academy of Theatre Arts.
Theatre whilst training includes: ‘Nathan Detroit’ in Guys and Dolls; ‘Dodge’ in London Road; ‘Governor John Slaton’ in Parade and ‘Sohovik’ in Damn Yankees.
Other work includes: Ball and Boe (ITV Special and The O2 Arena).
Training: Tring Park School
Theatre includes: Encore Dance Company (Antony Dowson) UK Tour; Roaring 20s (Best Parties Ever), Beyond Repair Dance Company (Jane Coulsten); Supreme Showgirls: The Rat Pack Live (Lizzie Hill).
Television includes: Rest Your Love, The Vamps (Frank Borin).
Other work includes: Dancer/Aerialist with Celebrity Cruise Entertainment. (2016-2018).
Molly is delighted to be making her West End debut in The Prince Of Egypt and would like to thank her family and friends for their ongoing support.
Training: Urdang Academy.
Theatre includes: Disney’s The Lion King (West End) and Matthew Bourne’s Lord of the Flies.
Ricardo wishes to thank all his friends and family for their love and support over the years. The journey to get here has been tough and he is forever grateful to you all.
Training: Urdang Academy.
Theatre includes: ‘Baby John’ in West Side Story, ‘T-rock’ in Flashdance; Bizet’s Carmen (Bregenz Festival); Beats on Pointe (World Tour & Peacock Theatre, London); Breakin’ Convention (Sadler’s Wells). Ballet includes: ‘Captain Belaye’ in Pineapple Poll and ‘The Cavalier’ in The Nutcracker.
Television includes: RuPaul’s Drag Race (dancer and ‘Pit Crew’); Strictly Come Dancing; Ant & Dec’s Saturday Night Takeaway; Jane and Friends and Emmerdale.
Film includes: Meet Pursuit Delange (choreographed by Jason Gardiner) and Mary Poppins Returns premiere (Royal Albert Hall).
Other work includes: Rita Ora; M.O; Tiwa Savage; Fleur East; Nina Nesbitt; 2012 Olympics; Forbidden World Tour; choreography for Sonique; Rina Sawayama and Adidas.
Danny is thrilled to be making his West End musical theatre debut and would like to thank his family for their ongoing support.
Training: Urdang Academy.
Theatre includes: Ensemble in Disney’s Aladdin (Prince Edward Theatre); ‘Chino’ in West Side Story (UK & Ireland Tour) and Ensemble and cover ‘Stalker’ in The Bodyguard (Musical Dome; Cologne).
Television includes: All Star Musicals (ITV); The One Show (BBC) and Schlagercountdown (Germany).
Niko is thrilled to be joining the London cast of The Prince Of Egypt and would like to thank his family in Germany, his friends and agent for their ongoing support and love.
Training: Phil Winston’s Theatreworks.
Theatre includes: Cats (Kilworth House Theatre); Remembering The Movies (UK Tour); Cinderella (Imagine Theatre) and, for English Youth Ballet, Swan Lake; Giselle and The Nutcracker.
Television includes: Semi-finalist with Dane Bates Collective on The Greatest Dancer (BBC); soloist on Got to Dance (Sky 1).
Other Work Includes: The Works at Viva Blackpool 2015-2018 (Phil Winston’s); Move It Main Stage (Dane Bates Collective); soloist at The ADFP Awards (Dane Bates); dancer at The Carl Alan Awards; dancer at Euro Disney (Classic Academy of Dance); dancer at Free Radio Live Concert Main Stage (LG Arena; 2013-2014).
Awards: IDTA Theatre Awards - Modern Winner; IDTA Theatre Awards - Theatre Craft Winner; IDTA Theatre Awards - Modern Jazz Winner; South Staffordshire Junior Ballet Champion.
Young Miriam, Leah and Young Hebrew Girl
Young Miriam, Leah and Young Hebrew Girl
Young Miriam, Leah and Young Hebrew Girl
Young Aaron, Young Egyptian Boy and Young Midian Boy
Young Aaron, Young Egyptian Boy and Young Midian Boy
Young Aaron, Young Egyptian Boy and Young Midian Boy
The Producers cannot guarantee the appearance of any particular artist,
which is always subject to illness, injury and statutory holiday entitlement.
Music & Lyrics
Stephen is probably best known in the UK for his scores for Wicked and Godspell. Other shows for which he wrote music and lyrics and which have been seen in the UK include: Pippin; The Baker’s Wife; Children of Eden and Working. He co-wrote the English texts with Leonard Bernstein for Bernstein’s Mass. For films, he collaborated with Alan Menken on the songs for Disney’s Enchanted, as well as the animated features Pocahontas and The Hunchback of Notre Dame and wrote the songs for the DreamWorks animated feature The Prince Of Egypt. Awards include: three Academy Awards, four Grammy Awards and the Isabelle Stevenson Tony Award. Mr. Schwartz has been given a star on the Hollywood Walk of Fame and inducted into the Theater Hall of Fame and the Songwriters Hall of Fame. Stephen is Artistic Director of the ASCAP Musical Theatre Workshops and serves on the Council of the Dramatists Guild. A book about his career, ‘Defying Gravity’, is published by Applause Books.
Philip has written numerous plays, television episodes and motion picture screenplays in Los Angeles and Europe. His screenwriting credits include: Disney’s Pocahontas and Mulan, and DreamWorks’ The Prince Of Egypt and The Legend of El Dorado. For the past several years, Mr. LaZebnik has lived in Denmark, where he has written movies and television shows throughout Europe and the US. His produced movies include: The Lost Treasure of the Knights Templar series in Denmark and The Three Investigators and the Secret of Skeleton Island and The Three Investigators and the Secret of Terror Castle for Studio Hamburg, Germany; the Danish film Emma and Santa Claus; the English screenplay for the animated features Asterix and the Vikings and Asterix and the Domain of the Gods. He also wrote the TV mini-series Hindenburg in Germany, the Christmas TV series Ludvig and Santa Claus for TV2 in Denmark, and the book for Fairytale, a theatrical musical about Hans Christian Andersen with songs by Stephen Schwartz.
Scott is an internationally acclaimed director who lives in New York City. He directed the world premiere of The Prince Of Egypt in a co-production between TheatreWorks Silicon Valley in the US and Fredericia Teater in Denmark. He directed the US premiere of Disney’s The Hunchback of Notre Dame, and then subsequently in Germany and Japan. His work in London includes tick, tick… Boom! at the Menier Chocolate Factory, starring Neil Patrick Harris, and Golda’s Balcony at the Shaw Theatre. On Broadway, he directed Golda’s Balcony and co-directed Jane Eyre with John Caird. Off-Broadway work includes: Murder for Two; Bat Boy: The Musical (Lucille Lortel and Outer Critics Circle Awards, ‘Outstanding Off-Broadway Musical’; Drama Desk Award nomination, ‘Outstanding Director of a Musical’); tick, tick…BOOM! (Outer Critics Circle, ‘Outstanding Off Broadway Musical’; Drama Desk nomination, ‘Outstanding Director of a Musical’); The Foreigner starring Matthew Broderick; Rooms: A Rock Romance; Kafka’s The Castle (Outer Critics Circle nomination, Outstanding Director of a Play); Gigantic and No Way to Treat a Lady. He directed the world premiere of Séance on a Wet Afternoon at Opera Santa Barbara and then at New York City Opera. Scott is the Artistic Director of Bay Street Theater in Sag Harbor, NY and a graduate of Harvard University.
Sean’s journey with The Prince Of Egypt began at TheatreWorks Silicon Valley, Fredericia Theater in Denmark and Tuacahn Center for the Arts in Utah. He choreographed the re-imagined West Side Story for NYC’s Carnegie Hall and Daddy Cool The Musical for the West End, earning a WhatsOnStage Award nomination for ‘Best Choreography’. Starting his artistic journey as a figure skater, Sean’s love for dance took over. He studied at the Alvin Ailey School in NYC and landed his first job, at 17, in Michael Jackson’s ‘Bad’ music video. He choreographed for Vanessa Williams; Janet Jackson; Prince; Tina Turner; Whitney Houston; Queen Latifah and Britney Spears. Sean choreographed and acted in Whitney Houston's film The Bodyguard. He won 2 MTV Music Video Awards and choreographs for So You Think You Can Dance in the US, Canada and the UK, and was a presenter and judge on the UK show Dirty Dancing: Time of Your Life. Sean is Creative Director for the world’s most celebrated and prestigious Ice Show, Art On Ice. Being part of the outstanding The Prince Of Egypt creative team is a dream come true.
Kevin has been designing stage, film and exhibitions from his home base of Chicago for the past fifteen years. His Chicago theatre credits include productions at Chicago Shakespeare Theatre; Steppenwolf Theatre Company; Goodman Theatre; Court Theatre; Writers Theatre; Drury Lane Oakbrook and Chicago Children’s Theatre. He was the associate designer for the Broadway productions of Of Mice and Men; August: Osage County and The Motherf**ker with the Hat. His many regional credits include productions at American Players Theatre; McCarter Theatre; Denver Center Theatre; Mark Taper Forum; Arden Theatre; Milwaukee Repertory Theater; Yale Repertory Theatre; The Public Theater; Brooklyn Academy of Music and Glimmerglass Opera. Kevin is currently designing the North American Tour of The Kings Speech and several touring exhibitions including The Hunger Games: The Exhibition and Jurassic World: The Exhibition.
Ann Hould-Ward has won, or been nominated for, virtually every major theatre award in existence, including the Tony, Drama Desk, Los Angeles Drama Critics Circle, American Theatre Wing, Outer Critics Circle and Olivier awards for her costume design. A Tony winner for Disney’s Beauty and the Beast and Tony nominee for the original Broadway productions of Into the Woods and Sunday in the Park with George, Ms. Hould-Ward’s stage credits also include countless Off-Broadway productions and designs for the most highly regarded regional theatres and the theatre-world’s finest producers and directors. International audiences applaud her work as well, as do audiences for film, television, concerts, dance and opera. Ms. Hould-Ward’s work has been seen in over 35 international companies of Beauty and the Beast, and her other designs are featured in shows all over the world. She also has more than 100 regional theatre credits. Ms. Hould-Ward is the recipient of the inaugural Patricia Zipprodt Award for ‘Innovative Costume Design’ and is a seasoned lecturer.
Mike is a New York City-based lighting and scenic designer and is excited to be making his West End debut. He designed the lighting for the world premiere of The Prince Of Egypt at TheatreWorks Silicon Valley in California, and at Fredericia Teater in Denmark. Across the United States, Mike has most notably designed at the Bay Street Theater Laguna Playhouse; Rubicon Theatre Company (three-time LA Ovation Award nominee); TheatreWorks Silicon Valley; American Theater for Actors in NYC; Guild Hall; Quintessence Theatre Company; Abingdon Theatre; Connecticut Repertory Theatre and Dorset Theatre Festival. He has also designed the lighting for themed attractions at Busch Gardens Williamsburg. Mike holds a BFA degree from the University of Connecticut and is a proud member of United Scenic Artists Local USA829.
Gareth has won Olivier Awards for Come From Away, Memphis and Merrily We Roll Along and received nominations for Bat Out of Hell, Top Hat and End of the Rainbow. He received Tony Award nominations for A Little Night Music and End of the Rainbow and won the Outer Critics Circle Award for Come From Away and the Pro Sound Award for ‘Sound Engineer of the Year’. His current productions include: Come From Away and Diana on Broadway; Joseph and the Amazing Technicolor Dreamcoat; & Juliet; Come From Away and Mamma Mia! The Party in London; Disney’s The Little Mermaid and The Hunchback of Notre Dame; Summer: The Donna Summer Musical; A Bronx Tale; Starlight Express and Bat Out of Hell worldwide. Gareth has designed more than 280 musicals around the world.
Jon studied Cinematography at the National Film and Television School, Beaconsfield and Theatre Design at Croydon College of Art. West End designs include: The Exorcist; INK; Charlie and the Chocolate Factory (Olivier Award); Ghost The Musical (also Broadway, Drama Desk Award and Tony Award nomination); From Here to Eternity; The King’s Speech; The Wizard of Oz; Love Never Dies; Dirty Dancing; Our House; Up for Grabs and Dance of Death. Broadway designs include: INK; Finding Neverland and Chaplin The Musical (Drama Desk nomination). Designs for theatre include: Mark Thomas – Check Up: Our NHS at 70; Brief Encounter and, for the National Theatre, 3 Winters; King Lear; The Effect, People; The Last of the Haussmans; Travelling Light; Earthquakes in London; Nation; The Reporter and Small Island. Dance designs include: Alice’s Adventures in Wonderland for The New National Theatre in Tokyo, The Royal Ballet (Olivier nomination), Australian Ballet and Bayerische Staatsoper. Concert and Events designs include: The Phantom of the Opera at the Royal Albert Hall; Secret Cinema’s Blade Runner and Kate Bush’s Before the Dawn at the Hammersmith Apollo.
Chris is a member of The Magic Circle. He works worldwide as International Illusions & Magic Associate for Harry Potter and the Cursed Child. His theatre credits as Illusion Consultant include: Peter Gynt (National Theatre), Superhero (Second Stage Theater, NY); A Very Very Very Dark Matter (Bridge); Company (Gielgud); Julie (National Theatre); Angels in America (National Theatre and Broadway); Macbeth (RSC, Swan Theatre and Barbican); Barnum (Menier Chocolate Factory); The Hypocrite (Hull Truck Theatre, RSC, Swan Theatre); Big The Musical (Plymouth Theatre Royal and Dublin Bord Gáis Theatre); No Man’s Land (Wyndham’s); Into the Woods (Royal Exchange); Here We Go (National Theatre); Treasure Island (National Theatre); Xanadu (Southwark Playhouse) and The Skriker (Royal Exchange).
Campbell Young Associates
Hair, Wigs and Make-up Design
Theatre includes: Leopoldtsadt; Uncle Vanya; City Of Angels; All About Eve; The Light In The Piazza (Royal Festival Hall); Rosmersholm; Company; The King & I; Allelujah!; Funny Girl; St. Joan; One Night in Miami; City of Angels; The Young Chekhov Trilogy; Bend It Like Beckham; Made In Dagenham; Gypsy; Guys & Doll; The Bodyguard (West End & UK); End Game; Present Laughter; The Master Builder; The Lorax; High Societ; Electra; Clarence Darrow; Sweet Bird of Youth; Richard III; Kiss Me Kate; Inherit the Wind (The Old Vic); Company; Girl From The North Country; A Christmas Carol; TINA – The Tina Turner Musical; Ink; The Ferryman; Farinelli and the King; 1984; Groundhog Day; Charlie and the Chocolate Factory; Les Liaisons Dangereueses; The Cripple of Inishmaan; Matilda; Ghost; Billy Elliot; La Bête; Private Lives; Rock 'n' Roll (West End / Broadway). King Lear; To Kill A Mockingbird; Head Over Heels; Carousel; Three Tall Women; Hello Dolly!; The Front Page; The Crucible; Misery; Sylvia; A Delicate Balance; It’s Only A Play; Betrayal; Mary Stuart; Les Misérables; One Man Two Guvnors; Spider-Man: Turn Off The Dark (Broadway).
Opera includes: Don Carlos; L’enfant et les sortileges (Bolshoi Opera Moscow); Anna Nicole (BAM); Elektra (Aix-en-Provence).
Film and TV includes: The Marvelous Mrs Maisel; Orange is the New Black and Downton Abbey (film).
August’s Broadway credits include orchestrations for Come From Away (Olivier Award, Grammy nomination) Bright Star (Tony Award nomination); Gigi, First Date; Hugh Jackman Back on Broadway (additional orchestrations); The Addams Family (dance arrangements, additional orchestrations); Memphis (dance arrangements); Million Dollar Quartet (Associate Music Supervisor); Ring of Fire (Associate MD); All Shook Up (MD) and Rent (Associate Conductor). Off-Broadway: Bar; Romantic Poetry; Walmartopia and Imperfect Chemistry. Other: A Christmas Story Live (Fox); Once Upon A Time (ABC); Disney’s Descendants (Andrew Lippa’s ‘Evil Like Me’); 2011 Billboard Music Awards; I Am Harvey Milk; Bull Durham and James and the Giant Peach.
Musical Supervision and Arrangements
Dominick served for over a decade as Associate Music Supervisor (US) of Stephen Schwartz’s musical Wicked, also conducting the show on Broadway, in Los Angeles, and across the USA on the First National Tour. Other credits include: First Date (Broadway; Music Supervision and Arrangements); Heathers (Off-Broadway; Music Director); Gigantic (Off-Broadway; Music Supervisor and Arrangements); The Blue Flower (Off-Broadway; Music Director); The Kid (Off-Broadway; Music Supervisor and Arrangements); Cabaret (US National Tour); Oliver! (US National Tour) and multiple regional engagements. Dominick develops new musicals around the US and is an active recording producer having collaborated with the likes of Dolly Parton, Stephen Schwartz, Marvin Hamlisch, Andrew Lippa, and Rupert Holmes. He is a Distinguished Artist in Residence at his alma mater, the University of North Carolina at Greensboro, where he is also the Coordinator of the Musical Theatre Department.
Dave was Musical Director for the 2016/17 International Tour of Stephen Schwartz’s Wicked and conducted its Chinese premiere in Shanghai. He returned to Wicked for its sell-out UK & Ireland Tour in 2018. He is Associate Musical Supervisor for the 2020 Australian premiere of Shrek The Musical. His other work as Musical Director includes: Shrek The Musical (UK & Ireland Tour); Ghost The Musical (UK & Ireland Tour); By Jeeves (Landor Theatre); Flashdance The Musical (world premiere 2008 and West End, 2010); Starlight Express (UK & Ireland Tour); Starlight Express (Bochum, Germany); Jesus Christ Superstar (UK & Ireland Tour) and Joseph and the Amazing Technicolor Dreamcoat (West End).
Jim Arnold CDG
As Casting Director, Jim’s credits include: Wicked (Apollo Victoria Theatre); Pretty Woman: The Musical (West End); Captain Corelli’s Mandolin (Harold Pinter Theatre and UK Tour); Curtains (UK Tour); West Side Story (Royal Exchange Theatre, Manchester); Agatha Christie’s The Mirror Crack’d (Wales Millennium Centre and Wiltshire Creative); Rock of Ages (UK Tour); Eugenius! (The Other Palace); The Wedding Singer (UK Tour); DNA (Hull Truck); Yerma (Gate Theatre); Pericles Re-imagined (Regent’s Park Open Air Theatre) and Matilda The Musical (Original Casting Associate, RSC). As Associate Casting Director for Pippa Ailion Casting: Wicked (UK & Ireland Tour); The Wind in the Willows (London Palladium and UK Tour); Funny Girl (Savoy Theatre and UK Tour); Billy Elliot The Musical (Victoria Palace and UK Tour); Top Hat (Aldwych Theatre and UK Tour) and Guys & Dolls (Chichester Festival Theatre and West End).
Current: 101 Dalmatians - The Musical (Regent’s Park Open Air Theatre). Theatre includes, as Children’s Casting Director: Leopoldstadt (Wyndham's Theatre); KILL (Royal Court Theatre); The Hunt (Almeida Theatre, winner of the 2019 Child Performer Of The Year at the Stage Debut Award); Hansel & Gretel (Regent’s Park Open Air Theatre); Small Island (National Theatre); The Ferryman (Royal Court Theatre and Gielgud Theatre); Frozen (Theatre Royal Haymarket). As Children's Casting Associate: School of Rock The Musical (Gillian Lynne Theatre). As Ensemble Casting Director: Running Wild (Regent's Park Open Air Theatre). As Casting Director: The Midnight Gang (Chichester Festival Theatre); Spring Awakening (Hope Mill Theatre, WhatsOnStage ‘Best Regional Production’ winner 2019); Twelfth Night; Kiki's Delivery Service; The Country Wife (Southwark Playhouse); the all-female Posh (Pleasance Theatre) and If We Had Some More Cocaine I Could Show You How I Love You (Old Red Lion Theatre). Television includes, as Casting Associate: Riviera Series 2 (Archery Pictures); Berlin Station Series 3 (Anonymous Content) and Counterpart (Starz!). Assistant Casting Director: The Evermoor Chronicles (Disney, Lime Pictures). Films includes: Children’s Casting: Enola Holmes (Legendary Pictures); Radioactive (Working Title Films) and Farming (Montebello Productions). Children’s Casting Associate: Fantastic Beasts: The Crimes of Grindelwald (Warner Brothers Ltd).
J. Scott Lapp
Jeremy is thrilled to be working again with Scott Schwartz and the team to bring The Prince Of Egypt to the West End. He is an alumnus of the Directors Lab West, a member of the SDC and the Artistic Director of The Barn Stage Company. Associate/Assistant Directing credits include Broadway: Bonnie & Clyde; International: The Prince Of Egypt (Fredericia, Denmark); National Tour: Murder for Two; Xanadu. Regional: Disney’s The Hunchback of Notre Dame (Paper Mill Playhouse, La Jolla Playhouse); Rain; Into The Woods (Old Globe). Selected directing credits include International: Murder for Two (Calgary, Japan); Regional: Curious Incident (Farmers Alley); Hairspray; First Date (SDMT); Murder for Two: Christmas Edition (Bucks County Playhouse); Little Women; Peter and The Starcatcher (Barn Stage Company). Upcoming projects: Freaky Friday (Moonlight); Gloria (Busch Gardens).
Addy, who is making her West End debut, is a Canadian choreographer, dancer and producer now based in Los Angeles. Her theatre credits include: The Prince Of Egypt at TheaterWorks Silicon Valley, Tuachan Center for the Arts and the Fredericia Theater in Denmark. Choreographer credits include: Make it Pop (Nickelodeon); Full Out (Netflix), and music videos for Kelly Clarkson and The Weeknd. Dancer film credits include: Disney's Descendants franchise; Step Up: All In and Suicide Squad. She is a producer for the renowned urban dance company The Kinjaz and most recently wrapped producing and creative directing the feature film Full Out 2, which will premiere worldwide on Netflix in March 2020.
Associate Musical Director
Mark is a Musical Director, pianist and composer/arranger. In 2019, he was the Musical Director for the West End production of The Secret Diary of Adrian Mole - The Musical (Ambassadors Theatre); Associate Musical Director on Dreamgirls (Savoy Theatre) as well as Associate Conductor on A Christmas Carol (The Old Vic) and Musical Supervisor for the hip-hop musical In The Willows (UK Tour). Other credits include: Billy Elliot The Musical (Victoria Palace); Exposure (St James) as well as deputising at Wicked (Apollo Victoria) and Jersey Boys (Prince Edward), and musical directing multiple workshops and productions of new writing both in the UK and New York.
Lauren trained at Rose Bruford College and graduated with aFirst Class BA (Hons) in Actor Musicianship.For the past year, Lauren has been the Resident Director of the UK Tour ofLes Misérables.Her previous creative credits include: Resident Director of Footloose (No. 1 European Tour/West End); Assistant Director of Silk Road (Trafalgar Studios); Return to the Forbidden Planet(Upstairs at the Gatehouse) and Associate Director for Silk Road (Live! Theatre Newcastle, transfer).As Assistant Musical Director, Lauren's credits include: Tommy (Greenwich Theatre) and Jason and the Argonauts (The Scoop Theatre, London).Lauren has also worked extensively as an actor. Her theatrical credits include: Priscilla Queen of the Desert (Queen’s Theatre); Footloose (No. 1 European Tour/West End); Here Be Monstersand The Santa Trap (Mayflower Theatre, UK Tour); The Tale of Mr Tumble (MIF/CBeebies); Cabaret (MAC); Blonde Bombshells of 1943 (Upstairs at the Gatehouse); London Calling (Salisbury Playhouse); Save The Last Dance For Me (No. 1 UK Tour); Carnaby Street (No. 1 UK Tour); The Wind in the Willows (West Yorkshire Playhouse and The Watermill Theatre); Thoroughly Modern Millie (The Watermill Theatre); The Kissing Dance (Jermyn Street Theatre); Dreamboats and Petticoats (No. 1 Tour and West End) and Twelfth Night (UK Tour).
Lloyd trained at the Guildhall School of Music and Drama, before starting his career at the National Theatre and Young Vic Theatre. Productions include: 9 To 5 The Musical (UK Tour); Fleabag (Wyndham’s); Rusalka (English National Opera); Cyrano de Bergerac (Playhouse); Captain Corelli’s Mandolin (UK Tour and Pinter Theatre); Betrayal, Pinter at the Pinter season (Pinter); The Wild Duck (Almeida); Summer and Smoke (Duke of Yorks’s); The Jungle (Playhouse and St Ann’s Warehouse, New York); Nightfall (Bridge Theatre); Tina (Aldwych, Associate PM); Christmasaurus Live (Hammersmith Apollo); Project Polunin (London Coliseum); Lady from the Sea (Donmar); Shakespeare Trilogy (Donmar and St Ann’s Warehouse, New York); Oslo (Lyttelton and Pinter); Buried Child and The Spoils (Trafalgar Studios); Blue/Orange and Macbeth (Young Vic); Lela and Co (Royal Court); The Mentalists (Wyndham’s); Constellations (UK Tour); Neville’s Island (Duke of York’s); Charlie and the Chocolate Factory (Theatre Royal Drury Lane, Assistant PM).
DreamWorks Theatricals, a division of Universal Theatrical Group, was established to develop and produce live stage productions inspired by the studio’s acclaimed animated films, including Shrek The Musical, Madagascar Live! and The Prince Of Egypt. UTG, the live theatre division of Universal Pictures, is currently represented by the musical phenomenon Wicked, which has been seen by 60 million people worldwide, making it one of the most successful theatrical ventures of all time. Universal’s critically acclaimed musical adaptation of Billy Elliot, which won four Olivier Awards and ten Tony Awards®, including Best Musical, concluded its 11-year run in the West End and continues to play worldwide. Recently, Universal produced the Broadway premiere of Irving Berlin’s Holiday Inn with Roundabout Theatre Company and the Tony Award®-nominated Broadway production of Bring It On: The Musical.
Michael McCabe is a four-time Olivier Award-winning producer in the UK and Tony Award® nominated on Broadway. He has, since 2006, been represented in the UK by Wicked, as its Executive Producer. His additional West End producing credits include: An American in Paris, Sweeney Todd, Million Dollar Quartet, Spring Awakening and, on Broadway, How To Succeed In Business Without Really Trying. He was also the original Marketing Director of Mamma Mia!. www.MichaelMcCabe.net
Neil Laidlaw heads up Neil Laidlaw Productions, a theatrical producing and general management company. West End credits include: Captain Corelli’s Mandolin, Oslo, The Grinning Man, Annie, Long Day’s Journey Into Night, Show Boat, Gypsy and A Doll’s House. Other producing credits include: Captain Corelli’s Mandolin (UK Tour), The Steamie (Scottish Tour), Canned Laughter (Scottish Tour), Annie (UK Tour) and Beautiful Thing (Sound Theatre, London).
“On of the greatest animated films of all time.”Evening Standard
"An astonishing animated achievement.From its magical opening sequence to the visually stunning sections involving the parting of the Red Sea and the Plagues, this makes for epic cinema.”
"The greatest animated
movie of all time.”
Featuring a stunning blend of traditional animation and computer-generated imagery, The Prince Of Egypt featured an all-star voice cast including Val Kilmer, Ralph Fiennes, Michelle Pfeiffer, Sandra Bullock, Jeff Goldblum, Danny Glover, Patrick Stewart, Helen Mirren, Martin Short and Steve Martin.
"The best animated musical of all time.
The music includes some of the most beautiful songs ever gifted to humanity and includes ‘Through Heaven’s Eyes’ and ‘When You Believe’.”
Film images © DreamWorks Animation